The local Amsterdam TV
channel Kleurnet, an independent and very outspoken
alternative channel has disappeared (sep 1, 2001)
due to government meddling. The powers that be, they basically don't want
independent channels and favour govenrment-owned
local channels.
The disappearance of Kleurnet (its name means colornet and caters for colorful
and colored Amsterdam, a city with a 35% colored minority population) is a severe attack on
free speech and robs Amsterdam of a platform where new age, vedic,
muslim, osho, american indian, psychedelic,
pagan, anti-computer, freedom of speech, squatter and numerous other movements
had their home.
This channel for free expression now has died a victim of the pre-crisis (or
are we already in deep shit) that is coming down. (note
sept 11, happened soon after!)
The system feels threatened and its first response is to silence its critics.
Luc Sala,
an
Luc Sala
was very disappointed and set out to prove his point, that local television was
essential for local democracy and would be a major factor in small scale media
development. He started working with Mokum TV on the Salto channels in 1995 and 1996, with famous programs
“busje komt zo” showing how he was attacked by city personnel in
trying to do some investigative reporting about Parkeerbeheer.
In early 1997 he applied for a commercial license for his own channel, using a
clause in the Media-Wet allowing not only corporations or foundations, but
“natural” people to apply for such a license, with far less red
tape. He as the first and so far the only one allowed such a
“personal” license. He asked the APR for a slot, but none was
available, but a compromise was found, as the APR kind of liked the idea of an
independent channel and wanted to give Luc Sala with
was then called Myster Media a chance. The compromise
turned out to be a very late slot, dirst on BBC1, from
04-06 hours in the morning, then later on A2 Salto after
Salto closed and with 30 minutes blank image, from
02.00 till
In 1998 Luc Sala set up a foundation called Kleurnet
and applied (and received) for a broadcasting and got permission for a separate
slot for the 1999-2000 season. With UPC (the successor of A2000) a deal was
made and a full channel operated. This became, for 2 years, a very open and
multifaceted channel, with 3 hours of new programming daily, revolving for 21
hours, so every program was repeated 7 times. Volunteer and a few paid
assistants like Sanne Couprie,
Amber de Vries, Catharina Ooijens en Maurice Hermans
actually shot and produced those 3 hours every day, mostly in the Singel 459 Myster studio, but
with lots of material for outside shoots, including travel material from Luc Sala and his family, friends. The editing was mostly done
by Luc Sala himself, often in the nightly hours and
180 minute tapes were daily delivered to playout
units at the UPC premises in West. The volunteers were organised in groups,
some 15 separate mini-production units, paid a nominal 50 guilders per hour
produced program (for tea, coffee, telephone). The total budget for Kleurnet was, with a production of some 1000 hours of new
material per year, an astounishing low 500.000
guilders including rent and UPC fee, but no salary for Luc Sala.
Financial exploitation was
by Sala Communications, on a contract basis with the Kleurnet foundation. After the first year the APR decided
not to extend the permission (Kabelplan), but due to
discussions about the inclusion of CNN the operator UPC decided to allow
another year. In 2001 the APR again decide not to include Kleurnet
in the Kabelplan, a decision without appeal
possibility. Luc Sala appealed at the Commissariaat for the Media, but lost the case. The APR commission,
at that time clearly of a very biased composition with mostly civil servants as
members, turned down Kleurnet, guided by a chairman
who by then was paid for by the Amsterdam B&W executive commission, quite
unusual. The argument by APR was that Kleurnet
wasn’t sufficient multicultural. This was obviously quite absurd, as Kleurnet operated as a truly multicultural station, with
slots for etnic minorities, other cultures,
by 2001 it was clear it was going to be a real factor in the media landscape. September
1, 2001 Kleurnet disappeared. Luc Sala
continued making programs with Razo for Salto airing, with a weekly column until summer
01-2007/ls